Hello folks!
Well, it’s that time of year again; 2007 is almost at an end and, before I get round to drinking, dancing like an eejit and doing karaoke (as is my wont on New Year’s Eve), I thought I’d share with you some of my musical highlights and lowlights of the past 12 months. As was the case last year, only albums/singles that a) have been released in the past year (apologies to Cat Power, Peter, Björn and John, and The Rapture) and b) I have listened to in that time (apologies to Radiohead, who would probably have reached the Top Five had I had chance to listen to In Rainbows, and Les Savy Fav) can garner one of these, ahem, “prestigious” awards.
What is a new (and, hopefully, welcome) addition to this end-of-year review is that, in the case of featured albums (or, at the very least, the ones I have recommended, rather than those I have slated), links will be provided to both MySpace pages (for some sample tracks) and Amazon links (should you wish, having heard said tracks, to buy the album); Youtube videos will also be provided for featured singles. So sit back, relax and enjoy the 2nd annual Prof Music Awards:
Albums of the Year – The Top Ten1. Animal Collective – Strawberry Jam: A close run thing this year (particularly given how strong the Battles album was), but this album is a joy to behold. One of the decades most influential and important bands, Animal Collective’s music has often been likened to that of Brian Wilson (both Beach Boys era and his solo stuff), but it’s arguably the spirit of eclecticism and invention which is the album’s strongest suit. There isn’t a single bad track on the album and, at its best (particularly Peacebone, #1 and closing track Derek), it is utterly beguiling. [
MySpace page] [
Amazon link]
2. Battles – Mirrored: In any other year (last year, for example), this album would probably have romped to victory, but the above mentioned latecomer sweeped the top gong. No matter, there’s no shame in losing out on top spot to Animal Collective, and Battles achieved something far more important in 2007: creating a truly innovative math-rock album that, unlike the albums of many of their contemporaries, is both accessible and enjoyable (Leyendecker is a particular highlight.) [
MySpace page] [
Amazon link]
3. Justice - †: 2007 was arguably the year that, after a few years in the doldrums, dance/electronic music fought back to reclaim dancefloors the world over from the indie kids. Of course, as with any movement/revival, there was a hell of a lot of dross released (more on that later), but there were a couple of bands that managed to elevate themselves from the rest of the crowd and produce quality albums. Most impressive were Justice, who defied their lazy critics (who dismissed them as Daft Punk imitators) to produce a sparkling album that owed as much to Judas Priest and Black Sabbath as it did to Parisian techno (D.A.N.C.E being the one notable exception.) That’s not to say that the only thing Daft Punk and Justice have in common is their Parisian roots, however; after all, † (like Homework before it) is likely to be held up as one of
the landmark electronic albums. [
MySpace page] [
Amazon link]
4. Panda Bear – Person Pitch: A good year, this, for Noah Lennox (aka Panda Bear); not only has he, as drummer with Animal Collective, scooped the top Prof prize, but he’s also got a well-earned place in this year’s Top Five with his own solo output. What marks this album out from his previous solo outings is that, while Person Pitch shares many of the features that make Animal Collective albums such a joy to listen to, this album has a unique feel and sound to it (i.e. sounding like a Panda Bear album, rather than sounding like another Animal Collective album.) At long last, the Panda may have found his natural habitat [groan – Ed.] [
MySpace page] [
Amazon link]
5. LCD Soundsystem – Sound of Silver: Voted best album of the year by GU Music’s critics, but narrowly misses out on that honour in these awards. Nevertheless, this is James Murphy’s finest work to date; in the hands of a less skilled musician, songs about 30-something muso insecurities and mid-life crises would grate, but Murphy has constructed an album full of soulful, grown-up electronic music from these unpromising raw materials. Worth the cost of the album for “Get Innocuous!” alone. [
MySpace page] [
Amazon link]
6. M.I.A. – Kala: It’s perhaps pushing it ever so slightly to suggest (as some have) that this is an album with no weak points (I’m still not completely won over when it come to The Turn), but this album ought to finally put paid to those “Empress with no clothes” jibes and confirm M.I.A. as one of the most exciting and innovative artists around today. [
MySpace page] [
Amazon link]
7. Digitalism – Idealism: In a year where dance music made a dramatic resurgence, only Justice did more to light the touch paper in 2007. Like Justice, Digitalism have a healthy penchant for feeding synth sounds through guitar filters to produce invigorating, powerful dance music. At times, they can seem a little too in thrall to their idols (the Daft Punk and Kraftwerk influences are clearly evident) but Idealism should still be remembered as one of 2007’s most enjoyable, high quality albums. [
MySpace page] [
Amazon link]
8. The Decemberists – The Crane Wife: Qualifying by virtue of its UK release date being in January of 2007 (even though it had been released in the previous October in the States), this was one of the first albums I listened to in 2007, and even now is still one of my favourite albums of the year. This is the Decemberists first release on a major record label (Capitol Records, to be precise), and many feared (myself included) that such a label move might dilute their eccentric, folksy edge. Not a bit of it; there may be no sea shanties on this album (as there had been on Picaresque), but if anything, The Crane Wife is even more leftfield (featuring, as it does, two tracks clocking in at 10+ minutes.) Sweeter, more lilting and more melodic than a prog-folk album should rightfully sound. [
MySpace page] [
Amazon link]
9. Arcade Fire – Neon Bible: In a year in which most of the indie releases were infuriatingly mediocre, Canada’s finest export (after
Terrance and Phillip, of course) stood out like a Belisha beacon. Neon Bible saw Arcade Fire display their more political side, with withering critiques about the war, the church, the aggressive pursuit of fame by parents for their kids, and other such cheery subjects. The sombre subject matter and the occasional tendency towards Springsteen-style grandiosity mean that this album doesn’t quite live up to the astonishingly high standard of its predecessor, but that’s hardly a disgrace, and Arcade Fire remain one of the most important bands around right now. [
MySpace page] [
Amazon link]
10. !!! – Myth Takes: Following on from the Rapture’s impressive “Pieces of the People We Love” album from the previous year, !!! further enhanced New York’s position as the epicentre of electrofunk with their most accomplished and accessible album to date. What is most impressive about this album is the way in which !!! have played to their strengths (i.e. by eschewing the politics and reining in Nic Offer’s histrionics, and in turn accentuating their infectious funk riffs); the result is an addictive, dancey record that puts their Nu-Rave counterparts firmly in the shade. [
MySpace page] [
Amazon link]
Best of the rest• Robyn – Robyn: A pop album that one needn’t feel guilty about listening to; eclectic, inventive and intelligent. [
MySpace page] [
Amazon link]
• The Raveonettes – Lust, Lust, Lust: The Danish Jesus and Mary Chain acolytes have ditched the kitsch and produced, in Lust, Lust, Lust, their darkest, most ominous sounding and most accomplished album to date. [
MySpace page] [
Amazon link]
• Richard Hawley – Lady’s Bridge: Not quite as good as Cole’s Corner, but this romantic take on the city of Sheffield still retains much of the charm of his previous work. [
MySpace page] [
Amazon link]
• Maps – We Can Create: The recipient of this year’s Mercury prize in an just world; though James Chapman (chief songwriter and the man who, to all intents and purposes, is Maps) sometimes adheres to the My Bloody Valentine/Spiritualized blueprint a bit too closely, the album’s high points are just about as dreamy as shoegaze gets. [
MySpace page] [
Amazon link]
The Nicolas Anelka award for Most Unfairly Maligned Album of 2007Clap Your Hands Say Yeah – Some Loud Thunder: Having come to prominence as a product of what has come to be called the “Pitchfork factor”, CYHSY are now experiencing the backlash. It’s true that Some Loud Thunder isn’t as impressive as their eponymous debut, but it’s still a good album and one which surely didn’t deserve the critical mauling it received in some sections of the music press. [
MySpace page] [
Amazon link]
The Ronaldinho award for Most Disappointing Album of 2007 The Go! Team – Proof of Youth: For an award such as this, it’s tempting to go for an album that’s overhyped (such as the Hold Steady’s Boys and Girls in America) or a half-hearted one by a normally excellent band (such as Air’s Pocket Symphony), but the former is lyrically excellent (even if the music does bear too much resemblance to that of the E Street Band) and the latter, while not Air’s best album, is still an exquisite sounding record (besides, the Far Eastern influences on the album at least show a band that’s prepared to evolve musically.) By contrast, the Go! Team’s latest album (while by no means a poor record) shows a band that hasn’t evolved much at all since their 2004 debut “Thunder, Lightning, Strike” (which was a much better album than Proof of Youth.) A sound that felt like a breath of fresh air when the Go! Team first emerged is starting to sound a bit like a shtick now.
The (appropriately festively monikered) Turkey of the Year 2007Klaxons – Myths of the Near Future: A closely contested award, this one, given the release in 2007 of Simian Mobile Disco’s similarly banal “Attack, Decay, Sustain, Release”, not to mention a plethora of atrocious nu-rave releases, posh former public school students (Kate Nash and Jack Peñate, I’m looking in your direction) inflicting their Mockney affectations on an unfortunate and unsuspecting society, and, of course, a James Blunt album release. But it’s not just their Nathan Barley-esque pseudo-rave output that elevates (if that’s the right word) Klaxons to wooden spoon status (though their music is diabolical), it’s also the Johnny Borrell-like delusions of grandeur that grate (their graceless acceptance speech for a completely undeserved Mercury victory, in which they hailed themselves as having made the "
most forward-thinking record of the last eight years”, was a particular nadir.) What makes it worse is the outpouring of love they’ve received from the music press; I can brush off the praise from the NME (a kind of Hello magazine for teenage indie pups), the musically disengaged broadsheets like the Times, Telegraph and Observer (who know fuck all about music anyway) and even
Pitchfork (who have occasionally taken leave of their senses and swallowed the hype surrounding such hacks.) However, the cowardly
volte-face of the GU music editor in allowing them to claim a No. 5 spot in their Top 50 albums of the Year (presumably at the behest of Alexis Petridis, who also knows fuck all about music) is hard to stomach (to see how they got it right first time, click
here.) Not since The Strokes were at the peak of their popularity have I hated a band with as much venom (and I was vindicated when it came to the Strokes; if there’s any justice in the world, Klaxons will go the same way.)
And finally, the singles of the Year1. M.I.A. – Jimmy: Possibly the best techno-Bollywood fusion track ever made (which is more of a compliment than it sounds, honest.) [
Video]
2. Justice – D.A.N.C.E: Probably the only track from † that sounds like Discovery-era Daft Punk, but no worse for that; one of the highlights of the album (the
video’s pretty good, too.)
3. Robyn – With Every Heartbeat: Thank goodness for this track in amongst all the Kate Nash’s and Umbrellas, or last summer would have been completely unbearable. [
Video]
4. !!! – Heart of Hearts: Pitchfork described this track as a
six minute distillation of everything that !!! do well; I think that sums it up perfectly. [
Video]
5. Digitalism - Pogo: Don’t let the fact that Sky have started using it for their football coverage put you off; even by Idealism’s high standards, this is particularly high-octane stuff. [
Video]
6. Battles – Atlas: Apparently inspired by schaffel (a techno offshoot made popular in the clubs of Cologne) but sounding eerily like Marc Bolan on an acid trip, this track is still both weird and wonderful in equal measure (
the year’s number 1 in an alternate universe, as The Guide put it.) [
Video]
Well, that’s all for 2007, folks. All that remains is for me to wish you all a happy and prosperous 2008. As ever, feel free to post your suggestions for musical highlights and lowlights of 2007 (after all, this award list, while a lengthy tome, is hardly an exhaustive account of the year’s music; you may also wish to take me to task over some of my choices in this list.) Also, look out for my mid-season European football round-up (which should be coming out after the next round of Premier League matches.)
See you all in 2008,
Liam